Art Project on White(-passing) Privilege

As I am interacting with more and more immigrants in the East Coast, some common themes emerge: 1) peer group competition; 2) relative access to white privilege. It is partly due to the fact that we do not have access to many resources in general. Thus, we often appeal to our ethnic communities and are aware of how each person survives in white-supremacist America. But people who can sometimes pass as white also access that form of white privilege or white-passing privilege. This is an art project that has been born out of these themes.

From Wikipedia 

White privilege (or white skin privilege) is the societal privilege that in some countries benefits white people over non-white people, particularly if they are otherwise under the same social, political, or economic circumstances. 

One person who exercised white privilege while also claiming ethnic membership, for example, is Mahmoud "Al-Astoria". The last name is not his real last name since I have decided to take into account that he was once a friend of my partner Walid. Walid does not want to disclose his last name.

He uses his ethnic resources as well as his ability to pass as white to leverage his road to success in America. Such contradictions have led to many people's cynicism in regards to the label "people of color." I still find this label useful for progressive political mobilization, and hopefully, this project can keep some of the people in this community accountable.

Adrian Qian. "Certificate #1." Digital Media. 2019.

Thus, I have written this certificate to convey my dismay at such survival practices, since I am a person of color who will not pass as white in all visual interactions. (My voice, on the other hand, with its East Coast accent, can pass as white.) I also acknowledge the fluidity of race, and thus I do not invoke any authority on this subject other than my personal name in the certificate.

This is also subject to context because not everyone wants to have the white-passing privilege. In the Arab American context is it especially important to talk about this aspect because 1) some white(-passing) Muslims have dominated discussions on Islam in America and 2) there are some Arab immigrants who use the N-word in conversations. My professor, who is Lebanese American, has also used the N-word in class. One of my classmates voiced her concern with her peers, but I do not think any other steps were taken.

This documentary "Not Quite White" by Jamil Khoury is also useful for understanding the long historical process of Arab American identity formation.

Some personal factors are also involved in making this certificate, and some of you may detect my spite. Simply, Mahmoud decided to invite us over for lunch. We traveled 5 hours from Boston and was 20 minutes late. He ended up ditching us altogether and was spotted eating lunch instead at Walid's old workplace in Astoria, NY.